大型文化纪实纪录片。该片从长江源头出发,以江河为经,以文物为纬,深入探寻羌藏、滇黔、巴蜀、荆楚、湖湘、赣皖、吴越七大文化区域的内在特质,选取典型性文物展开叙事,以赋江、源启、理水、合脉、涌新、润稻、流韵、引航八集篇幅,带领观众领略“母亲河”长江的浩荡壮阔与文化绵延。
在这部坦诚的纪录片剧集中,NBA传奇球星沙奎尔·奥尼尔和阿伦·艾弗森努力重振锐步的昔日辉煌,并物色一位新星来为品牌代言。
这部引人入胜的纪录片聚焦马克·卡文迪什,讲述了这名职业自行车手的飞速崛起、悲惨坠落,以及不可思议的东山再起
一位来自伦敦的退休钢琴调音师试图将一架百年老钢琴送往喜马拉雅山区一所偏远学校,这所学校位于世界上最偏远的定居点之一。如果成功,这将是历史上运送海拔最高的钢琴。
迈克尔·波蒂略 (Michael Portillo) 游历欧洲各大火车路线,重温乔治·布拉德肖 (George Bradshaw) 1913 年《大陆铁路指南》中所记述的旅程。
探讨了一名男子对永生的追求以及他为抗拒衰老所付出的种种努力。
《中国救护》是一档大型院前医疗急救纪录片,驻扎在三座城市一线急救工作现场,通过24小时纪实跟拍真实记录急救现场的工作状况,真实鲜活的院前急救案例,展现急救人员的专业与热忱,体现温暖动人的中国故事。
《空中浩劫》(Air Crash Investigation)是一个由加拿大的Cineflix公司所制作的纪录片节目。此节目主要介绍1970年代黑盒子发明之后所发生的近代重大航空事故。在第三季时,有三集穿插铁道事故及航海事故。此节目在不同频道播出有不同的英文名称,于加拿大的Discovery频道播出时称为“Mayday”,在美国播出时称为“Air Emergency”,而在英国、法国和其他国家播出时称为“Air Crash Investigation”。《空中浩劫》会以模拟演出的方式,分别以乘客、机师等不同人的视角,从一开始旅客登机、起飞,一直到事故发生、后续善后及调查为止,重现整个过程。在片中会穿插对于乘客及机师的访谈(若有生还者且其愿意受访时),另外也会访问空难调查人员、目击者等。取材以事故调查报告及相关新闻报道为主;若因调查单位不公开报告以致无法取得事故调查报告时,则会征询相关专家的说法以拼凑出全貌。此节目对于飞机外观、空服员制服、机场等制作考究,但也并非100%做到与当时完全一样,偶有不相符之处,如波音737驾驶室变成空中客车A320驾驶室。模拟演出时,会找与当事人相貌近似的的演员参与。
延续了“反美食”纪录片的独特风格,将“食物不分高低贵贱”的理念进一步升级。第二季中,我们深入莽荒大山、边陲小镇、人迹罕至的奇境;投身烟火市井、经历匪夷所思的奇遇;记录中华大地上,更多不同地域、民族、各怀绝技的劳动人民手中,创造出的奇异、独特的美食。回溯尘封历史,见证非遗传奇,祖国的广袤大地上,对“奇食”全景式记录,怪诞又不失人文深度的解读,薪火相传,溯源永存。
In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression. Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for? Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life. “I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need. "I was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”
影片聚焦于集发明家、探索者、环保主义者、电影制作人于一身的雅克·康斯塔的传奇人生。他曾发明过水肺型潜水器Aqua Lung,人类因此得以探索海洋;他曾积极呼吁抵制海洋污染;他也曾与国家地理学会拥有长期的合作。